{"version":"1.0","provider_name":"Journalismlab","provider_url":"https:\/\/www.journalismlab.nl\/en","author_name":"Yael de Haan","author_url":"https:\/\/www.journalismlab.nl\/en\/author\/yael-de-haan\/","title":"Journalismlab &#8211; Immersieve journalistiek en het betrokken publiek","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"1ptCp6tfhV\"><a href=\"https:\/\/www.journalismlab.nl\/en\/onderzoek\/immersieve-journalistiek-en-het-betrokken-publiek\/\">Immersive journalism and the engaged audience<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.journalismlab.nl\/en\/onderzoek\/immersieve-journalistiek-en-het-betrokken-publiek\/embed\/#?secret=1ptCp6tfhV\" width=\"600\" height=\"338\" title=\"&#8220;Immersieve journalistiek en het betrokken publiek&#8221; &#8212; Journalismlab\" data-secret=\"1ptCp6tfhV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>","thumbnail_url":"https:\/\/www.journalismlab.nl\/wp-content\/uploads\/2021\/09\/immersievejournalistiek.jpg","thumbnail_width":1660,"thumbnail_height":556,"description":"Immersieve journalistiek en het betrokken publiek 2018 &#8211; 2019 Afgerond onderzoek Mediaorganisaties experimenteren met nieuwe technieken om verhalen te vertellen. Ze gebruiken 360-graden video, augmented reality (AR) en virtual reality (VR) om de gebruiker het verhaal te laten zien en voelen. Het opgaan in een verhaal noemen we immersiviteit. Maar werken die technieken voor immersiviteit [&hellip;]"}